The confidence of her tone in “Fierce Attachments” reminds me of the Saul Bellow who wrote, in the opening lines of “The Adventures of Augie March,” “I have taught myself, free-style, and will make the record in my own way.” - Dwight Garner Gornick’s language is so fresh and so blunt it’s a quintessentially American voice, and a beautiful one.

There’s a clarity to this memoir that’s so brilliant it's unsettling Gornick finds a measure of freedom in her writing and her feminist activism, but even then, she and her mother can never let each other go. I love this book - even during those moments when I want to scream at Gornick, which are the times when she becomes the hypercritical, constantly disappointed woman that her mother, through her words and example, taught the author to be. It’s a portrait of the artist as she finds a language - original, allergic to euphemism and therapeutic banalities - worthy of the women that raised her. The book is propelled by Gornick’s attempts to extricate herself from the stifling sorrow of her home - first through sex and marriage, but later, and more reliably, through the life of the mind, the “glamorous company” of ideas. That fearlessness suffuses this book she stares unflinchingly at all that is hidden, difficult, strange, unresolvable in herself and others - at loneliness, sexual malice and the devouring, claustral closeness of mothers and daughters. When Gornick’s father died suddenly, she looked in the coffin for so long that she had to be pulled away. It has taken me 30 years to understand how much of them I understood.”

“I absorbed them as I would chloroform on a cloth laid against my face.

It is instead a compelling story of dedication and debauchery, of intrigue and integrity, of recklessness and redemption.“I remember only the women,” Vivian Gornick writes near the start of her memoir of growing up in the Bronx tenements in the 1940s, surrounded by the blunt, brawling, yearning women of the neighborhood, chief among them her indomitable mother. SCAR TISSUE far transcends the typical rock biography, because Anthony Kiedis is anything but a typical rock star. But there s a price to pay for both success and excess and in SCAR TISSUE, Kiedis writes candidly of the overdose death of his soul mate and band mate, Hillel Slovak, and his own ongoing struggle with an addiction to drugs. Crisscrossing the country, the Chili Peppers were musical innovators and influenced a whole generation of musicians. He formed the band with three schoolfriends - and found his life's purpose. and plunged headfirst into the demimonde of the L.A. After a brief child-acting career, Kiedis dropped out of U.C.L.A. Raised in the Midwest, he moved to LA aged eleven to live with his father Blackie, purveyor of pills, pot, and cocaine to the Hollywood elite. In SCAR TISSUE Anthony Kiedis, charismatic and highly articulate frontman of the Red Hot Chili Peppers, recounts his remarkable life story, and the history of the band itself.

Scar tissue autobiography